Georges Franju_

Georges Franju was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Before working in French cinema, Franju had several different jobs. Franju was also briefly in the military in Algeria and was discharged in 1932. On his return, Franju studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folles Bergère. In the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju. As well as creating the 16 mm short film Le Métro, Langlois and Franju also started a short-lived film magazine and created a film club called Le Cercle du Cinema with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From Le Cercle du Cinema, Franju and Langlois founded the Cinématheque Française in 1936. Franju ceased to be closely related with the Cinématheque Française as early as 1938, and only became associated with it strongly again in the 1980s when he was appointed as the honorary artistic director of the Cinématheque. In 1949, Franju began work on a series of nine documentary films. The Nazi occupation of Paris and the industrialism following World War II influenced Franju's early works. With Head Against the Wall (French:La tête contre les murs) in 1958, Franju turned toward fiction feature films. His second feature was the horror film Eyes Without a Face (French:Les Yeux sans Visage) about a surgeon who tries to repair his daughter's ruined face by grafting on to it the faces of beautiful women. His 1963 film Judex was a tribute to the silent film serials Judex and Fantomas. In Franju's later years his film work became less frequent. Franju occasionally directed for television and in the late seventies he retired from filmmaking to preside over the Cinématheque Française. In her study of French cinema since the French new wave, Claire Clouzot described Franju's film style a